• Who?
  • Novels
    • TOURISM:
    • The Last Tourist
    • An American Spy
    • The Nearest Exit
    • The Tourist
    • YALTA BOULEVARD:
    • Victory Square
    • Liberation Movements
    • 36 Yalta Boulevard
    • The Confession
    • The Bridge of Sighs
    • STANDALONES:
    • The Middleman
    • All The Old Knives
    • The Cairo Affair
  • Film/TV
    • Berlin Station
    • All the Old Knives
    • Inheritance
  • More
    • Short Fiction
    • Criticism
    • Extras

Olen Steinhauer

  • Who?
  • Novels
    • TOURISM:
    • The Last Tourist
    • An American Spy
    • The Nearest Exit
    • The Tourist
    • YALTA BOULEVARD:
    • Victory Square
    • Liberation Movements
    • 36 Yalta Boulevard
    • The Confession
    • The Bridge of Sighs
    • STANDALONES:
    • The Middleman
    • All The Old Knives
    • The Cairo Affair
  • Film/TV
    • Berlin Station
    • All the Old Knives
    • Inheritance
  • More
    • Short Fiction
    • Criticism
    • Extras

Anderson's Take


March 16, 2009
by Olen Steinhauer

Over in the Washington Post, Patrick Anderson reviews The Tourist.



It’s another good one. Anderson seems to get where I’m coming from, though it’s strange for any novelist to find himself being directly contrasted with a fellow novelist—in this case, Alex Berenson. But I’ll certainly take that if it leads to lines like

On the evidence of “The Tourist,” Steinhauer’s Milo Weaver trilogy could turn out to be something special.


dulles-airport



Neat

Newer
Older
Top

novels

The Middleman
All the Old Knives
The Cairo Affair

 

The Tourist
The Nearest Exit
An American Spy
The Last Tourist

TV/FILM

Berlin Station
All the Old Knives
Inheritance


The Bridge of Sighs
The Confession
36 Yalta Boulevard
Liberation Movements
Victory Square

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